It is important,within the scheme of the entire video, that each scene maintains a style, both in set design and filming techniques, that make them both individual and yet inkeeping with the ruling themes of the video. The main theme within the video itself will be asexuality and the agression which ensues from such isolation. This is evident through the symbolism surrounding the set's themselves; the gate representing a physical barrier preventing the subject from progressing any further, the room representing the idea of entrapment within four walls and the table scene representing a sort of confined, spiteful nature in that the object of the subject's desire (within the platter) is merely a few feet away yet unattainable due to constraints.
The objects in question, and the constraints surrounding them, are also relatable to the idea of the seven deadly sins, with gluttony (showcased dramatically through the final chorus scene), wrath (the aggression showcased through the acting within the bedroom setting) and lust taking centrestage, although the inclusion of sloth and acedia are somewhat present in the degenerate attitude of the subject itself. Interspered within the video,at the points inwhich editing shall be fast and erattic, will be these words, imprinted amongst relative environments.
The lighting in the bedroom scene, shall be the most dramatic of the three scenes, with the red light bulb dramatically increasing the tension in the room, and connoting to the deadly sins showcased in the room. The two other scenes are t
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